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Whatever your thoughts are about unicorn beauty — that is, all things rainbow, glittery, horned, and even loosely inspired by the mythical equine creature — at this point, it's pretty hard to deny that it's a Thing. And Chanel just took unicornspiration to the next level with its Fall 2017 haute couture show.The opulent presentation courtesy of King Karl featured three front-row celebrities with platinum buzzcuts (Katy Perry, Cara Delevingne, Kristen Stewart), a scale replica of the Eiffel Tower — and bright, whimsical, multicolored eye makeup that was unmistakable #unicorngoals on every single model.
Makeup artist Tom Pecheux and his team went full Roy G Biv, smudging a rich cerulean blue below the lids, then layering a kaleidoscope of vampy lilac, highlighter orange, and green apple right up to the brow bones. A smudge of glossy crimson was dabbed along the inner corners of the eyes; some models had a sprinkle of gold on the outer corners.The rest of the makeup was left refreshingly simple: Clean, velvet-fresh skin, a whisper of petal pink blush on cheeks, and if we're not mistaken, natural lips finished with just the lightest swipe of translucent gloss.
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10 Things you shouldn’t do this Fall

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We look our best in subdued colors, sophisticated cuts, and a general air of sleek understatement. When I was young, I lived like an old woman, and when I got old, I had to live like a young person.

Men have got more of a discerning eye. They appreciate cut and details, things that aren’t so obvious. They like things that have cachet and gentlemanliness. Elegance is not the prerogative of those who have just escaped from adolescence, but of those who have already taken possession of their future. My shows are about the complete woman who swallows it all. It’s a question of survival. We look our best in subdued colors, sophisticated cuts, and a general air sleek understatement. There is always an emotional element to anything that you make.

“I like the things around me to be beautiful & slightly dreamy, with a feeling of worldliness.”

Elliot Forson

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Nova was the magazine that we all wanted to read in the Sixties because every issue brought something new and relevant to our lives: extraordinary fashion by Molly Parkin; innovative layouts and photographs by Harri Peccinotti; articles about the Pill and our new sexual freedom and a different take on beauty, fashion and celebrity – for one incredibly complicated story, we revamped the Queen. Our editor, Dennis Hackett, always thought outside the box always thought outside the – he once wanted to print the magazine back-to-front because he noticed women always started reading it at the end, but the bosses wouldn’t let him.

Nova was the magazine that we all wanted to read in the Sixties because every issue brought something new and relevant to our lives: extraordinary fashion by Molly Parkin; innovative

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